|
|
![]() |
|
On October 24th, Saddle Creek will release Noise Floor, a collection of Bright Eyes singles, one-offs, unreleased tracks, collaborations and covers recorded between 1998 and 2005. Variously recorded to cassette four-track, minidisc, reel-to-reel tape machine, ADAT and computer, these songs trace Bright Eyes' evolution from basement project to band of international repute. Many of these gems previously lost to out-of-print obscurity are hereby resurrected.__News of this release should thrill fans eagerly awaiting the follow up to 2005’s breakthrough albums: I’m Wide Awake It’s Morning & Digital Ash In A Digital Urn. 2006 has been a comparatively quiet year for Conor Oberst + co. There were no US or European tours, although the Canadians were treated to a lengthy tour in the early part of the summer, and the band made a couple of blistering festival appearances - Bonnaroo and their own free concert at Memorial Park in Omaha on June 17th. The comparative inactivity has allowed Conor and producer Mike Mogis to spend much of the year in the studio, recording in such exotic locales as New York City, Portland, Oregon and Lincoln, Nebraska. The Bright Eyes line-up for the new record includes full-timers Conor, Mike and Nate Walcott, as well as guest appearances from Janet Weiss of Sleater-Kinney and the wonderful Gillian Welch. Fans will have to wait until Spring of 2007 for the next proper full-length. In the meantime, brush up on your Bright Eyes chronology: |